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Allusion is an economical device, a figure of speech that uses a relatively short space to draw upon the ready stock of ideas, cultural memes or emotion already associated with a topic. Thus, an allusion is understandable only to those with prior knowledge of the covert reference in question, a mark of their cultural literacy. [8]
In terms of English language rhetoric, an allusion is the implicit referencing of a related object or circumstance which has occurred/existed in an external context. An allusion is understandable only to those with prior knowledge of the reference in question (which the writer assumes to be so). Allusions are structurally related to idioms.
The 18th edition of the dictionary, published in 2009. Brewer's Dictionary of Phrase and Fable, sometimes referred to simply as Brewer's, is a reference work containing definitions and explanations of many famous phrases, allusions, and figures, whether historical or mythical.
In fact it is derived from Portuguese marmelada, meaning quince jam, and then expanded from quince jam to other fruit preserves. It is found in English-language sources written before Mary was even born. [70] Nasty: The term nasty was not derived from the surname of Thomas Nast as a reference to his biting, vitriolic cartoons.
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of
The use of figurative language as a poetic device function to convey the poet's intended meaning in various ways. Allusion–A brief reference to a person, character, historical event, work of art, and Biblical or mythological situation. Analogy–Drawing a comparison or inference between two situations to convey the poet's message more ...
Irony" entered the English language as a figure of speech in the 16th century with a meaning similar to the French ironie, itself derived from the Latin. [7] Around the end of the 18th century, "irony" takes on another sense, primarily credited to Friedrich Schlegel and other participants in what came to be known as early German Romanticism.
The second chapter gives meaning to the first, as it explains other events the character experienced and thus puts present events in context. In Khaled Hosseini 's The Kite Runner , the first short chapter occurs in the narrative's real-time; most of the remainder of the book is a flashback.