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[9] [10] [11] The other two exemplars are undisputed copies: one (232.5 x 160 cm) at the Museo de Santa Cruz, Toledo (Spain), discovered by Roberto Longhi in 1920, which was much ruined during the Spanish Civil War and whose authorship is uncertain; the other one (209 x1 51.5 cm) at the Musée des Beaux-Arts de Dijon (France), long attributed ...
The total compensation for the paintings was reduced to 300 scudi for unknown reasons. [6] The paintings were finally installed in the chapel on 1 May 1605 by the woodworker Bartolomeo who received four scudi and fifty baiocchi from the Ospedale for his work. [7] The first version. Giovanni Baglione's Life of Michelagnolo da Caravaggio ...
Understood to be the original version of the Lute Player: c. 1596: Lute Player: Saint Petersburg, Hermitage Museum: 94 × 119 cm Oil on canvas: c. 1596: Lute Player: New York City, Metropolitan Museum of Art (on loan) 100 × 126,5 cm Oil on canvas: c. 1596: Basket of Fruit: Milan, Biblioteca Ambrosiana: 46 × 64 cm Oil on canvas: c. 1596 ...
A notary's copy of the contract between Caravaggio and Cerasi. The two lateral paintings of the Cerasi Chapel were commissioned in September 1600 by Monsignor Tiberio Cerasi, Treasurer-General to Pope Clement VIII who purchased the chapel from the Augustinian friars on 8 July 1600 and entrusted Carlo Maderno to rebuild the small edifice in Baroque style. [1]
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The horses come together to Moors and Christians, the Fiestas de Caravaca de la Cruz are held from 1 to 5 May in honor of the patron saint of the village, the Blessed and Vera Cruz de Caravaca. The horses came from Caravaca de la Cruz, on 2 May was done with the streets of the city with its splendid robes embroidered in silk and gold, and the ...
A caption on the words reads, "No need to 'spill the beans.' The images are worth a thousand words." Sen. Cruz of Texas responded, saying "Donald, real men don't attack women.
Saint Matthew and the Angel (1602) is a painting from the Italian master Caravaggio (1571–1610), completed for the Contarelli Chapel in the church of San Luigi dei Francesi in Rome. It was destroyed in Berlin in 1945 and is now known only from black-and-white photographs and enhanced color reproductions.