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The toccatas represent Bach's earliest keyboard compositions known under a collective title. [1] The earliest sources of the BWV 910, 911 and 916 toccatas appear in the Andreas-Bach Book, [2] an important collection of keyboard and organ manuscripts of various composers compiled by Bach's oldest brother, Johann Christoph Bach between 1707 and 1713.
Leopold Stokowski made a large number of transcriptions for full orchestra, including the Toccata and Fugue in D minor for organ, which appeared in the film Fantasia and the Little Fugue in G minor. Alexander Siloti made many piano transcriptions of Bach, most famously his Prelude in B minor based on Bach's Prelude in E minor, BWV 855a.
The first page of J. S. Bach's Toccata and Fugue in D minor, BWV 565. Toccata (from Italian toccare, literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally ...
The work begins with an updated and extended form of the old prelude-type, manual passaggio followed by a pedal solo, and a motivic-contrapuntal section. Bach's extended passaggio which opens BWV 564 may have been inspired by Buttstett's preludes; both the rhetorical rests followed by returns to the tonic and the single pedal notes are part of the older tradition as well. [3]
The Toccata in B-flat major is a piece for solo piano written in 1932 by Aram Khachaturian. It is a favorite of piano students, and has been recorded many times. Khachaturian wrote this work as the first movement of a three-movement suite for piano: Toccata; Waltz-Capriccio; Dance. [citation needed]
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An opposed point of view holds that the orchestral Bachianas No. 2 was put together from preexistent and unrelated pieces, three originally for cello and piano (O canto do capadócio, O canto da nossa terra, and O trenzinho do caipira), the other (Lembrança do sertão) for solo piano (Peppercorn 1991a, 103; Peppercorn 1991b, 33–34).
Concerto for Piano No. 1 in G major, Op. 46 (1927) Concerto for Piano No. 2 in F major, Op. 92 (1936–7) Cello Concerto for Violoncello in G minor, Op. 72 (1932–33) for Gregor Piatigorsky; Harp Concertino per arpa, quartetto d'archi e 3 clarinetti, Op. 93 (1936–37) Concertino for harp and chamber orchestra, Op. 93a (1938) Oboe
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