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Cultural reproduction, a concept first developed by French sociologist and cultural theorist Pierre Bourdieu, [1] [2] is the mechanisms by which existing cultural forms, values, practices, and shared understandings (i.e., norms) are transmitted from generation to generation, thereby sustaining the continuity of cultural experience across time.
Pierre Bourdieu (French: [pjɛʁ buʁdjø]; 1 August 1930 – 23 January 2002) was a French sociologist and public intellectual. [4] [5] Bourdieu's contributions to the sociology of education, the theory of sociology, and sociology of aesthetics have achieved wide influence in several related academic fields (e.g. anthropology, media and cultural studies, education, popular culture, and the arts).
Much of Bourdieu's work observes the semi-independent role of educational and cultural resources in the expression of agency. This makes his work amenable to liberal-conservative scholarship positing the fundamental cleavages of society as amongst disorderly factions of the working class, in need of disciplinary intervention where they have ...
According to sociologist Pierre Bourdieu, there are four types of capital that contribute to social reproduction in society: economic capital, cultural capital, social capital and symbolic capital. Social reproduction in this sense is distinct from the term as it is used in Marxist feminism to discuss reproductive labor.
In "Cultural Reproduction and Social Reproduction" (1977), Pierre Bourdieu and Jean-Claude Passeron presented cultural capital to conceptually explain the differences among the levels of performance and academic achievement of children within the educational system of France in the 1960s.
Practices are conceptualized as "what people do," or an individual's performance carried out in everyday life. Bourdieu's theory of practice sets up a relationship between structure and the habitus and practice of the individual agent, dealing with the "relationship between the objective structures and the cognitive and motivating structures which they produce and which tend to reproduce them ...
The concept of symbolic power, also known as symbolic domination (domination symbolique in French language) or symbolic violence, was first introduced by French sociologist Pierre Bourdieu to account for the tacit, almost unconscious modes of cultural/social domination occurring within the social habits maintained over conscious subjects.
As opposed to the field of cultural studies, cultural sociology does not reduce all human matters to a problem of cultural encoding and decoding. For instance, Pierre Bourdieu's cultural sociology has a "clear recognition of the social and the economic as categories which are interlinked with, but not reducible to, the cultural." [6]