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The Repast of the Lion is an early 20th century painting by French Post-Impressionist Henri Rousseau. [1] Done in oil on canvas, the work depicts a feeding lion in a jungle setting. The painting expands upon some of Rousseau's late 19th century work, and the foliage depicted in the painting was inspired by the artist's studying of Paris ...
The Hungry Lion Throws Itself on the Antelope (Le lion ayant faim se jette sur l'antilope) is a large oil-on-canvas painting created by Henri Rousseau in 1905. Following Scouts Attacked by a Tiger the previous year, The Hungry Lion was the second jungle painting to mark Rousseau's return to this genre after a 10-year hiatus caused by the generally negative reception to his 1891 painting Tiger ...
The stylised forms of the jungle plants are based on Rousseau's observations at the Paris Museum of Natural History and its Jardin des Plantes. The nude's left arm reaches towards the lions and a black snake charmer who faces the viewer playing his flute, barely visible in the gloom of the jungle under the dim light of the full moon. A pink ...
In 1905, Rousseau's large jungle scene The Hungry Lion Throws Itself on the Antelope was exhibited at the Salon des Indépendants near works by younger leading avant-garde artists such as Henri Matisse, in what is now seen as the first showing of The Fauves. Rousseau's painting may even have influenced the naming of the Fauves. [4]
The Sleeping Gypsy (French: La Bohémienne endormie) is an 1897 oil on canvas painting by the French Naïve artist Henri Rousseau (1844–1910). It is a fantastical depiction of a lion musing over a sleeping woman on a moonlit night. It is held by the Museum of Modern Art in New York City, to which it was donated by Mrs. Simon Guggenheim in 1939.
Despite their apparent simplicity, Rousseau's jungle paintings were built up meticulously in layers, using a large number of green shades to capture the lush exuberance of the jungle. He also devised his own method for depicting the lashing rain by trailing strands of silver paint diagonally across the canvas, a technique inspired by the satin ...
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