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A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church.
In Luke's Gospel, Joseph and Mary travelled to Bethlehem, the family of Joseph's ancestors, to be listed in a tax census; the Journey to Bethlehem is a very rare subject in the West, but shown in some large Byzantine cycles. [2] While there, Mary gave birth to the infant, in a stable, because there was no room available in the inns.
The Virgin and Child with Saint Anne is an unfinished oil painting by High Renaissance artist Leonardo da Vinci, dated to c. 1501–1519. [n 1] It depicts Saint Anne, her daughter the Virgin Mary and the infant Jesus. [1]
The drawing is the only extant larger-scale drawing by the artist. [3] The drawing depicts the Virgin Mary seated on the thigh of her mother, Saint Anne, while holding the Christ Child as Christ's young cousin, John the Baptist, stands to the right. It currently hangs in the National Gallery in London.
In art, a Madonna (Italian:) is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. [ 1 ] The word is from Italian ma donna 'my lady' (archaic).
Saint Luke Drawing the Virgin, by Rogier van der Weyden, c. 1435–40, Museum of Fine Arts in Boston. Saint Luke painting the Virgin (German and Dutch: Lukas-Madonna) is a devotional subject in art showing Luke the Evangelist painting the Virgin Mary with the Child Jesus.
Baby Jesus is lying gently in the Virgin Mary's arms with one hand from both on them on a pomegranate. Both the Virgin Mary and baby Jesus are displaying a sad face. The expression from Our Lady of Sorrows and baby Jesus is intended to remind the viewer of the pain and torture that the Child of God will endure in the future.
The Madonna of the Basket or the Madonna della Cesta is a painting of c. 1524 by Antonio da Correggio in the National Gallery, London.While it is a Mannerist painting of the Virgin Mary and the Baby Jesus, Correggio included naturalist touches in his composition, like the sewing basket that gives the painting its name.
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