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Funny Face is a 1927 musical composed by George Gershwin, with lyrics by Ira Gershwin, and book by Fred Thompson and Paul Gerard Smith.When it opened on Broadway on November 22, 1927, as the first show performed in the newly built Alvin Theatre, it starred Fred Astaire and his sister Adele Astaire.
Clue had previously been adapted for the screen as the 1985 black comedy film of the same name and was the basis of the British television game show Cluedo, which ran from 1990 to 1993. After theatrical tryouts in Baltimore in 1995 and Chicago in 1996, the musical ran off-Broadway in 1997, receiving mostly unfavorable reviews.
Li'l Abner is a 1956 musical with a book by Norman Panama and Melvin Frank, music by Gene De Paul, and lyrics by Johnny Mercer.Based on the comic strip Li'l Abner by Al Capp, the show is, on the surface, a broad spoof of hillbillies, but it is also a pointed satire on other topics, ranging from American politics and incompetence in the United States federal government to propriety and gender ...
Avenue Q is a musical comedy featuring puppets and human actors with music and lyrics by Robert Lopez and Jeff Marx and book by Jeff Whitty. It won Best Musical, Book, and Score at the 2004 Tony Awards. The show's format is a parody of Sesame Street, but its content involves adult-oriented themes. It has been praised for its approach to themes ...
Peter Cook. Beyond the Fringe was a British comedy stage revue written and performed by Alan Bennett, Peter Cook, Jonathan Miller, and Dudley Moore.It debuted at the 1960 Edinburgh Festival and went on to play in London's West End and then in America, both on tour and on New York's Broadway in the early 1960s.
Brigadoon is a musical with a book and lyrics by Alan Jay Lerner, and music by Frederick Loewe. [1] The song "Almost Like Being in Love", from the musical, has become a standard.
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Although some of the songs from the Broadway score were used as background music, the film does not have any singing in it. The Slaughter on Tenth Avenue ballet does appear at the end of the film, with choreography by George Balanchine, one of eight films for which he created the dances. Eddie Albert's character dances the lead in the ballet ...