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Space: 1999 is a British science-fiction television programme that ran for two series from 1975 to 1977. [2] In the premiere episode, set in the year 1999, nuclear waste stored on the Moon's far side explodes, knocking the Moon out of orbit and sending it, as well as the 311 inhabitants of Moonbase Alpha, hurtling uncontrollably into space.
Space: 1999, a British science-fiction television series, ran for 48 episodes broadcast between 1975 and 1977. The first series (or season, often referred to as Year One) of 24 episodes began transmission in 1975, though production of the first episode began in 1973.
"The Full Circle" is the fifteenth episode of the first season of Space: 1999. The screenplay was written by Jesse Lasky, Jnr and Pat Silver; the director was Bob Kellett. The final shooting script is dated 17 September 1974. Live-action filming took place Tuesday 24 September 1974 through Tuesday 8 October 1974. [2]
However, delays in the Space: 1999 shooting schedule further pushed back the starting date and Merton was forced to depart for Norway. [7] The role would be given to American actress Alibe Parsons . Her character, also called Alibe, is a communications officer and would be given all of the Sandra Benes scenes and dialogue for the rest of the ...
"The Beta Cloud" is the 16th episode of the second series of Space: 1999 (and the 40th episode overall of the programme). The screenplay was written by "Charles Woodgrove" (a pseudonym of producer Fred Freiberger); the director was Robert Lynn.
As the Moon drifts through empty space, the off-duty personnel of Moonbase Alpha gather in the Recreation Section for an evening of music. Playing to a full house, a solo artist performs a haunting piece on an electric sitar. At Hydroponic Unit Two Doctor Dan Mateo and three colleagues are in the midst of an unorthodox experiment.
The score was re-edited from previous Space: 1999 incidental music tracks composed for the second series by Derek Wadsworth and draws primarily from the scores of "The Metamorph" and "The Taybor". During the 'night of romance' on New Earth, an arrangement of 'How Beautiful Is Night' composed by Robert Farnon in 1947 is used as Magus's mood music.
In a positive review, John Kenneth Muir describes the premise of a living rock taking over humans as "very clearly a technological space-age update of the traditional zombie story". Likening the Eagle laboratory to a " haunted house setting", Muir calls the episode "stylish and smart in visual approach", praising its use of close-ups and ...