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James A. Porter, African Nude, 1934.Harmon Foundation Collection. Porter began his career as an instructor of painting and drawing at Howard University.During his four decade Howard tenure, he would work with artists, such as James Lesesne Wells and Lois Mailou Jones, chair the Art Department, and serve as Director of the Art Gallery (1953 through 1970). [4]
The James A. Porter Colloquium on African American Art and Art of the African Diaspora is an annual event hosted and sponsored by Howard University. James Porter is recognized as the "Father of African American art history." [1] [2] His book, Modern Negro Art, is the first comprehensive study of African American Art in the United States. [3]
Cover of the first edition, 1950. The Story of Art, by E. H. Gombrich, is a survey of the history of art from ancient times to the modern era. [1]First published in 1950 by Phaidon, the book is widely regarded both as a seminal work of criticism and as one of the most accessible introductions to the visual arts.
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Fairfield Porter (June 10, 1907 – September 18, 1975) was an American painter and art critic. [1] He was the fourth of five children of James Porter, an architect, and Ruth Furness Porter, a poet from a literary family. [2] He was the brother of photographer Eliot Porter and the brother-in-law of federal Reclamation Commissioner Michael W ...
Charles Ethan Porter (1847 – March 6, 1923) was an American painter who specialized in still life painting. A student at the National Academy of Design in New York City, he was one of the first African Americans to exhibit there.
Edgar Heap of Birds (Cheyenne name: Hock E Aye Vi) is a multi-disciplinary artist. His art contributions include public art messages, large scale drawings, Neuf Series acrylic paintings, prints, and monumental porcelain enamel on steel outdoor sculpture. [1] He is Southern Cheyenne and enrolled in the Cheyenne and Arapaho Tribes. [2]
Painted by trained artist Charles E. Weir (the brother of American painter of Robert Weir), Sawyer is a work of genre art, a style of art popular in mid 19th century America. The painting depicts an African American workman (presumably a coachman or porter) chopping wood outside a hotel in Lower Manhattan, then a developing part of the city.