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Ticket counters of the New York City booth as seen from 47th Street. The TKTS ticket booths in New York City and London sell Broadway and Off-Broadway shows and dance events and West End theatre tickets, respectively, at discounts of 20–50% off the face value. [1] It is owned by the Theatre Development Fund, a non-profit.
The Group Theatre's most successful production was the 1937–38 Broadway hit Golden Boy. [citation needed] Elia Kazan directed Robert Ardrey's plays Casey Jones and Thunder Rock in 1938 and 1939–40 for the Group Theatre. [11] The group gathered at different summer locations to rehearse and train intensively for six of its 10 years in existence.
TodayTix is a digital ticketing platform for theatrical and cultural events. Founded by two Broadway producers, TodayTix's free mobile apps for iOS and Android provide access to theater shows in New York City, London, the San Francisco Bay Area, Los Angeles, Washington DC, Chicago, Sydney, Melbourne, and Brisbane.
The Theatre Development Fund (TDF) is a not-for-profit performing arts service organization in New York City.Created in 1968 to help an ailing New York theatre industry, TDF has become one of the largest beneficents for the performance arts.
Atlantic Theater Company is an Off-Broadway non-profit theater. [1] The company was founded in 1985 by David Mamet, William H. Macy, and 30 of their acting students from New York University, inspired by the historical examples of the Group Theatre and Stanislavski. The theater is currently led by Artistic Director Neil Pepe. [2]
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The Wooster Group is an experimental theater company based in New York City known for creating numerous original dramatic works. It gradually emerged from Richard Schechner's The Performance Group (1967–1980) during the period from 1975 to 1980. The group took its name in 1980; the independent productions of 1975–1980 are retroactively ...
Under the Artistic Direction of Lynne Meadow since 1972, Manhattan Theatre Club is a not-for-profit theatre that produces shows in multiple venues: the 650- seat Samuel J. Friedman Theatre—formerly Biltmore Theatre—which they restored and reopened in 2003, and at New York City Center off-Broadway, where they created a 300-seat Stage I and a 150-seat Stage II.
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