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A viewer watching on a standard 4:3 (non-widescreen) television would see a 4:3 image of the commercial with 2 sets of black stripes, vertical and horizontal (windowboxing or the postage stamp effect). A similar scenario may also occur for a widescreen set owner when viewing 16:9 material embedded in a 4:3 frame, and then watching that in 16:9.
The name of the system stems from the size of the image sensor used in the cameras, which is commonly referred to as a 4/3" type or 4/3 type sensor. The common inch-based sizing system is derived from vacuum image-sensing video camera tubes, which are now obsolete. The imaging area of a Four Thirds sensor is equal to that of a video camera tube ...
Drawing showing the relative sizes of sensors used in most current digital cameras, relative to a 35mm film frame. The image sensor of Four Thirds and MFT measures 18 mm × 13.5 mm (22.5 mm diagonal), with an imaging area of 17.3 mm × 13.0 mm (21.63 mm diagonal), comparable to the frame size of 110 film. [4]
For example, the Nikon D3 and D700 cameras' nominally full-frame sensors actually measure 36 × 23.9 mm, slightly smaller than a 36 × 24 mm frame of 35 mm film. As another example, the Pentax K200D 's sensor (made by Sony ) measures 23.5 × 15.7 mm, while the contemporaneous K20D 's sensor (made by Samsung ) measures 23.4 × 15.6 mm.
Film originally created in the 4:3 aspect ratio does not need to be altered for full-screen release. In contrast, other aspect ratios can be converted to full screen using techniques such as pan and scan, open matte or reframing. In pan and scan, the 4:3 image is extracted from within the original frame by cropping the sides of
A comparison of 4-perf, 3-perf and 2-perf 35 mm film formats. Negative pulldown is the manner in which an image is exposed on a film stock, described by the number of film perforations spanned by an individual frame. It can also describe whether the image captured on the negative is oriented horizontally or vertically.
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