Search results
Results from the WOW.Com Content Network
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Xóchitl (Mexican Spanish pronunciation: [ˈʃotʃitɬ]) [1] is the Hispanicized version of "xōchitl", the Nahuatl word for flower (Nahuatl pronunciation: [ˈʃoːtʃitɬ]) is a given name that is somewhat common in Mexico and among Chicanos for girls.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
The precise meaning of mordent has changed over the years. In the Baroque period, a mordent was a lower mordent and an upper mordent was a pralltriller or schneller.In the 19th century, however, the name mordent was generally applied to what is now called the upper mordent, and the lower mordent became known as an inverted mordent.
Speakers of non-rhotic accents, as in much of Australia, England, New Zealand, and Wales, will pronounce the second syllable [fəd], those with the father–bother merger, as in much of the US and Canada, will pronounce the first syllable [ˈɑːks], and those with the cot–caught merger but without the father–bother merger, as in Scotland ...
The five remaining 'DWTS' couples get set to perform both a redemption dance and a freestyle dance on the finale.
He is frequently paired with Xochiquetzal, who is seen as his female counterpart. [3] Xōchipilli has also been interpreted as the patron of both homosexuals and male prostitutes, a role possibly resulting from his being absorbed from the Toltec civilization. [4] [5] [6] [7]
In music theory, prolongation is the process in tonal music through which a pitch, interval, or consonant triad is considered to govern spans of music when not physically sounding. It is a central principle in the music-analytic methodology of Schenkerian analysis , conceived by Austrian theorist Heinrich Schenker . [ 1 ]