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Jesus has cut his hand on an exposed nail, symbolizing the stigmata and foreshadowing Jesus's crucifixion. Some of the blood has fallen onto his foot. As Jesus's grandmother, Anne, removes the nail with a pair of pincers, his concerned mother, Mary, offers her cheek for a kiss. Joseph examines Jesus's wounded hand.
St John Altarpiece, c. 1479, oil on oak panel, 173.6 × 173.7 cm (central panel), 176 × 78.9 cm (each wing), Memlingmuseum, Sint-Janshospitaal, Bruges. The St John Altarpiece (sometimes the Triptych of the two Saints John or the Triptych of St John the Baptist and St John the Evangelist) is a large oil-on-oak hinged-triptych altarpiece completed around 1479 by the Early Netherlandish master ...
The Holy Family with Saint Anne and the Infant Saint John and the Holy Family with Saint Elizabeth and the Infant Saint John the Baptist are titles given to two very similar pictures of the Holy Family by the Italian Renaissance painter Bronzino. The first version (German: Hl. Familie mit Hl.
Jesus holds a small book and raises an arm that shows a muscularity that is entirely inspired by Michelangelo. The elderly St. Joseph and St. John appear from the back. The typical characteristics of Beccafumi's art can be recognized in the sweetness of the shades, the light effects, the various and characterized physiognomies, and the ...
The painting depicts the Holy Family together with the Infant John the Baptist. Mary and Joseph form the curved borders of the painting, surrounding baby Jesus and John the Baptist. The Christ Child is most likely the figure embracing the lamb, as a reference to him being the Lamb of God .
It depicts Jesus Christ on the cross in a darkened sky floating over a body of water complete with a boat and fishermen. Although it is a depiction of the crucifixion , it is devoid of nails , blood , and a crown of thorns , because, according to Dalí, he was convinced by a dream that these features would mar his depiction of Christ.
Saint John the Baptist is a High Renaissance oil painting on walnut wood by Leonardo da Vinci. Likely to have been completed between 1513 and 1516, it is believed to be his final painting. Likely to have been completed between 1513 and 1516, it is believed to be his final painting.
The painting is placed in an elaborate baroque frame of carved, gilded and painted wood, with laurel leaf decorations. An engraving after the painting by Jan van Troyen was included in the Theatrum Pictorium, published in Antwerp in 1660 by the painter David Teniers the Younger.