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Jesus has cut his hand on an exposed nail, symbolizing the stigmata and foreshadowing Jesus's crucifixion. Some of the blood has fallen onto his foot. As Jesus's grandmother, Anne, removes the nail with a pair of pincers, his concerned mother, Mary, offers her cheek for a kiss. Joseph examines Jesus's wounded hand.
The piece depicts the nominal "adoration of the Holy Name of Jesus. Beside Philip II are Pope Pius V and doge Sebastiano Venier, founders of the Holy League, and Don John of Austria, victor of the battle of Lepanto, all kneeling and worshipping the Holy Name of Jesus in the upper register, where it is surrounded by angels.
Jesus is in the hands of Mary seated and on the left appear Joseph, emerging from the shadows, and St. John, recognizable by the bowl with which he carried out the baptism. The intertwining of gestures and glances between the figures recalls the classical models of Raphael and the Florentine painters, combined with Beccafumi's very particular ...
Jesus hands Judas the sop, Tilman Riemenschneider, Holy Blood Altar, Rothenburg ob der Tauber, 1501–05. The first episode, much the most common in Western Medieval art, [13] is the dramatic and dynamic moment of Jesus' announcement of his betrayal.
Jesus holds a small book and raises an arm that shows a muscularity that is entirely inspired by Michelangelo. The elderly St. Joseph and St. John appear from the back. The typical characteristics of Beccafumi's art can be recognized in the sweetness of the shades, the light effects, the various and characterized physiognomies, and the ...
Christ of Saint John of the Cross is a painting by Salvador Dalí made in 1951 which is in the collection of the Kelvingrove Art Gallery and Museum, Glasgow. It depicts Jesus Christ on the cross in a darkened sky floating over a body of water complete with a boat and fishermen.
Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from the material. They used a computer program to reverse the aging process.
St John Altarpiece, c. 1479, oil on oak panel, 173.6 × 173.7 cm (central panel), 176 × 78.9 cm (each wing), Memlingmuseum, Sint-Janshospitaal, Bruges. The St John Altarpiece (sometimes the Triptych of the two Saints John or the Triptych of St John the Baptist and St John the Evangelist) is a large oil-on-oak hinged-triptych altarpiece completed around 1479 by the Early Netherlandish master ...