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To make the wearing more easy and comfortable, the market is all set to sell stitched Kasta sari for those who love drape it. [15] Sandhya Kenjale, another Kasta sari seller, says, "I started stitching nineyard saris because I could never drape it properly. For draping a nineyard sari, you should have some guidance for it is a technique to wear it.
The mundum neriyatum is the extant form of the ancient sari referred to as "Sattika" in Hindu, Buddhist and Jain literature. [3] The mundu is the surviving form of lower garment of the ancient clothing referred to as antariya worn in a special way (lower garment). [4]
To wear one, unlike a sari, one does not have to form pleats but may simply tuck and drape. Like that of a traditional sari, the lehenga-style sari is worn over a petticoat (inskirt; pavadai or langa in the south, and shaya in eastern India, Lehenga in western India), along with a blouse called the choli, which is the upper garment.
[4] [5] [6] It may vary from 4.1 to 8.2 metres (4.5 to 9 yards) in length, [7] and 60 to 120 centimetres (24 to 47 inches) in breadth, [8] and is a form of ethnic wear in Bangladesh, India, Sri Lanka, Nepal, and Pakistan. There are various names and styles of sari manufacture and draping, the most common being the Nivi style.
Jewellery is hugely significant for Indian men and women. Men traditionally wear rings with stones or necklaces, and for women, there is an assortment of jewellery that includes maang-tikka, earrings, nose rings, necklaces, bangles, waist chains, anklets and toe-rings - these all form part of the traditional Solah Shringaar for married Hindu women.
Draping is a most ancient and widespread form of clothing. Many visual arts of the Romans and Indian sculptures , terracottas , cave paintings , and wood carvings (also shown in picture gallery) representing men and women show the same, unstitched clothes with various wrapping and draping styles.
Thiruvathirakali dancers dressed in Kerala sari. Kerala sari is regarded as the cultural costume of women of the Malayali community. [2] The grace and appeal of the golden borders contrasting with the otherwise plain white mundum neryathum of Keralite women has come to symbolize Malayali women.
Usually, the garment is woven with cotton or silk. A variant of this is the ghagra choli of North India (the difference between the two being the direction of draping the voni or dupatta). The modern day "lehenga-style sari", worn by Indians across the subcontinent mainly for special occasions, is inspired by the langa voni.