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  2. Razer DeathAdder adds 4G optical sensor, available now for $69

    www.aol.com/news/2012-11-20-razer-deathadder-4g...

    Razer's had a good thing going with its DeathAdder gaming mouse. So much so, that it's left the peripheral largely untouched, varying only its color over the years and adding a left-handed edition.

  3. Razer Inc. - Wikipedia

    en.wikipedia.org/wiki/Razer_Inc.

    The Razer DeathAdder gaming mouse is the company's most popular mouse line by sales, [47] having sold over 20 million units worldwide by June 2024. [48] Razer mice are used by around 8% of professional first-person shooter gamers. [49] In 2021, Razer introduced a new 8 kHz "HyperPolling" technology to power the Razer Viper 8K. [50]

  4. Razer Blade Stealth - Wikipedia

    en.wikipedia.org/wiki/Razer_Blade_Stealth

    Razer Blade Stealth supports full Chroma lightning with Razer Synapse software. [6] Chroma lighting is a unique light feature on all Razer mouse and keyboard products. The device comes with pre-installed Razer Synapse software and the software supports key clicks, Macro creating and other features that are supported within other Razer keyboards.

  5. Acanthophis - Wikipedia

    en.wikipedia.org/wiki/Acanthophis

    Acanthophis is a genus of elapid snakes.Commonly called death adders, they are native to Australia, New Guinea and nearby islands, and are among the most venomous snakes in the world.

  6. Chemical synapse - Wikipedia

    en.wikipedia.org/wiki/Chemical_synapse

    The strength of a synapse has been defined by Bernard Katz as the product of (presynaptic) release probability pr, quantal size q (the postsynaptic response to the release of a single neurotransmitter vesicle, a 'quantum'), and n, the number of release sites. "Unitary connection" usually refers to an unknown number of individual synapses ...

  7. Dead Air for Radios - Wikipedia

    en.wikipedia.org/wiki/Dead_Air_for_Radios

    Dead Air for Radios is a studio album by Kevin Moore, under the musical moniker Chroma Key.It was released through Fight Evil Records on December 16, 1998. [3] The album was recorded by Steve Tushar at Bill's Place Rehearsal Studio in Hollywood, mixed by both Steve Tushar and Kevin Moore with final mastering by Eddy Schreyer.