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Mary wears a crown lined by five white and one red roses. She is surrounded by a two golden radiant and glowing circle. The inner ring contains six angles holding the Arma Christi (instruments of the Passion of Jesus): the cross, spear, crown of thorns, tammer and nails, the whip and the a sponge soaked in vinegar. In the outer ring, musical ...
Michelangelo Buonarotti's Pietà in Saint Peter's Basilica, 1498–1499.Crowned by the Pontifical decree of Pope Urban VIII in 1637.. The Pietà (Italian pronunciation:; meaning "pity", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from the Cross.
The Pietà is a theme in art depicting the Virgin Mary cradling the dead body of her son, Jesus, after his crucifixion. In Bouguereau's version, Mary is seen wearing a black cloak holding Christ close to her bosom. Eight angels in mourning form an arc around them, each of them dressed in different colors.
Version of the Theotokos of Smolensk by Dionisius (c. 1500) 12th-century plaque found in Torcello Cathedral; a full-length figure like the original in Constantinople. A Hodegetria, [a] or Virgin Hodegetria, is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of salvation for humankind.
The bottom inscription reads Sancta Maria de Populo de Urbe (Latin: Holy Mary of the City and its Peoples). A church at the site stood adjacent to the ancient Roman walls of the city. Pious legends claim that Saint Eusebius of Vercelli brought back an icon of Our Lady of Consolation when he was returning from exile in Alexandria, Egypt in 363 A.D.
The sculpture captures the moment when Jesus, taken down from the cross, is given to his mother Mary. Mary looks younger than Jesus; art historians believe Michelangelo was inspired by a passage in the Divine Comedy by the Italian composer Dante Alighieri:
Painted for private devotion, it shows a full-length Mary holding Jesus. Mother and son are surrounded by four angels; the two above Mary are adorned with large colourful wings and hold a golden crown, symbolising her role as Queen of Heaven [4] while another two, each bearing large wings, sit on either side of her playing a harp and lute respectively.