Search results
Results from the WOW.Com Content Network
White power music is music that promotes white nationalism. It encompasses various music styles, including rock , country , and folk . [ 1 ] [ 2 ] Ethnomusicologist Benjamin R. Teitelbaum argues that white power music "can be defined by lyrics that demonize variously conceived non-whites and advocate racial pride and solidarity.
Whiteness studies is the study of the structures that produce white privilege, [1] the examination of what whiteness is when analyzed as a race, a culture, and a source of systemic racism, [2] and the exploration of other social phenomena generated by the societal compositions, perceptions and group behaviors of white people. [3]
With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit. ' with calm '); (see also col and colla) con dolcezza See dolce con sordina or con sordine (plural) With a mute, or with mutes. Frequently seen in music as (incorrect Italian) con sordino, or con sordini (plural). concerto
A sheet music cover for a coon song which is titled "Coon, Coon, Coon" with a photograph of minstrel show star Lew Dockstader in blackface. Coon songs were a musical genre of songs based on heavily stereotyped portrayals of Black people. Coon songs resembled and were often synonymous with the music performed at minstrel shows. Because of this ...
The study of white identity began in earnest as the field of modern whiteness studies became established in universities, and within academic research during the mid-1990s. The work of Ruth Frankenberg , among other significant concepts, considered the relationship between whiteness and white identity and attempted to intellectually ...
Whiteness theory is a field within whiteness studies concerned with what white identity means in terms of social, political, racial, economic, culture, etc. [1] Whiteness theory posits that if some Western societies make whiteness central to their respective national and cultural identities, their white populations may become blind to the privilege associated with White identity.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The sociologists Philip Q. Yang and Kavitha Koshy have also questioned what they call the "becoming white thesis", noting that most European Jews have been legally classified as white since the first US census in 1790, were legally white for the purposes of the Naturalization Act of 1790 that limited citizenship to "free White person(s)", and ...