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The Triumph of Achilles is a collection of poetry by Louise Glück, published in 1985 by Ecco Press. [1] It won the National Book Critics Circle Award for poetry. [2] The work concerns themes from classical antiquity and myth. [3]
In Boston Review, Craig Morgan Teicher wrote that the collection "[...] may be Glück’s strangest work yet, the hardest to describe or put in line with the others." [4] Writing for NPR, Annalisa Quinn both praise and criticized the collection's abstruseness, referring to the prose poems as "blandly koanic" while also writing that some of the "[...] poems' incompleteness and inscrutability ...
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Nobel laureate Louise Glück, a poet of unblinking candor and perception who wove classical allusions, philosophical reveries, bittersweet memories and humorous asides into indelible portraits of ...
Louise Glück, the former US Poet Laureate and 2020 Nobel Prize awardee whose deceptively simple poems revealed visceral truths about love, loss and survival, has died at 80. “Louise Glück’s ...
Averno or Lake Avernus is a lake west of Naples that the Romans mythologized as the entrance to the underworld. The Greek myth of Demeter's daughter Persephone and her marriage to Hades is a recurring topic in the collection, as are the themes of oblivion and death, soul and body, love and isolation.
The Wild Iris is a 1992 poetry book by Louise Glück for which she received the Pulitzer Prize for Poetry in 1993. [1] The book also received the Poetry Society of America's William Carlos Williams Award .
But he has also fiercely criticized other formalist poets like Les Murray and Derek Walcott and praised a few free verse poets like Louise Gluck and Anne Carson. Logan has been especially critical of popular free verse poets like Mary Oliver, Billy Collins, and Sharon Olds as well as more experimental poets like Jorie Graham and Rae Armantrout. [4]