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"Moten Swing" (originally "Moten's Swing") is a 1932 jazz standard by Bennie Moten and his Kansas City Orchestra. It was an important jazz standard in the move towards a freer form of orchestral jazz and the development of Swing music .
Swing is the seventeenth studio album released by The Manhattan Transfer in 1997 on the Atlantic Records label. This album is a collection of 1930s and 1940s swing music with The Manhattan Transfer's jazz twist. The album also features a guest appearance by Stéphane Grappelli, one of his last recordings before his death.
Benjamin Moten (November 13, 1893 – April 2, 1935) [2] was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States. [3]He led his Kansas City Orchestra, the most important of the regional, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would come to define many of the 1930s big bands.
"The Bennie Moten Orchestra would eventually emerge in the 1920s as Kansas City's top instrumental jazz ensemble". During 1924, the Moten Orchestra became the primary entertainers at Kansas City's elite black ballroom, the Paseo Dance Hall, at 15th Street and Paseo. [5] Over the next two decades, the Moten band grew in success and prominence. [22]
In addition to playing piano, Basie was co-arranger with Eddie Durham, who notated the music. [22] Their "Moten Swing", which Basie claimed credit for, [23] was an invaluable contribution to the development of swing music, and at one performance at the Pearl Theatre in Philadelphia in December 1932, the theatre opened its door to allow anybody ...
The term comes from classical music and was first applied to jazz by musicologists in the 1970s and 1980s. ... "Moten Swing" [77] 1932: Bennie Moten, Buster Moten ...
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The song's title introduced the term "swing" into common usage and gave name to the swing era. [66] "New Orleans" [67] is a song by Hoagy Carmichael. First recorded by Bennie Moten's Kansas City Orchestra and the Casa Loma Orchestra as an up-tempo number, the song only achieved success after Carmichael recorded a slower version with vocalist ...