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"The Outsider" is a short story by American horror writer H. P. Lovecraft. Written between March and August 1921, it was first published in Weird Tales, April 1926. [1] In this work, a mysterious individual who has been living alone in a castle for as long as he can remember decides to break free in search of human contact and light.
Personification in the Bible is mostly limited to passing phrases which can probably be regarded as literary flourishes, [18] with the important and much-discussed exception of Wisdom in the Book of Proverbs, 1–9, where a female personification is treated at some length, and makes speeches. [19]
The prose version enunciates the identical themes of the poem, that man cannot control his thoughts because man has a subconscious that he cannot completely control. James Bieri described the poem: "The Alastor theme of loss is continued in 'Mutability,' with its lovely initial lines, 'We are as clouds that veil the midnight moon; / How ...
Fortitude is a one-act play written by Kurt Vonnegut in 1968, and broadly based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus.The brief [19 page] play addresses the issues of robotics and the ethical dilemmas of cyborg's rights.
Margaret Webling (1 January 1871 – 27 June 1949) was a British playwright, novelist and poet. Her 1927 play version of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus is notable for naming the creature "Frankenstein" after its creator, and for being the inspiration of the classic 1931 film directed by James Whale.
Bernie Wrightson's Frankenstein is an illustrated edition of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, first published in 1983 by American company Marvel Comics, with full-page illustrations by American artist Bernie Wrightson. In 2008, a new edition was released by Dark Horse Comics for the 25th anniversary.
The concept for the series was adapted from a treatment written by Koontz and Anderson for the 2004 TV movie Frankenstein, which was produced for the USA Network.Koontz withdrew from the project over creative differences with the network, and the production continued in a different direction with similar characters and a modified plot while Koontz was allowed to publish his own series.