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"Our Town" is a 1983 song by American rock musician Marshall Crenshaw. The song was released on his 1983 album Field Day . Written as an ode to Crenshaw's hometown at the time, New York City , the song features a melody inspired by Babs Cooper's version of "Honest I Do," a record that Crenshaw had heard in his childhood.
According to Clinton Heylin, "Talkin' New York" was one of several attempts by Dylan in 1961 to compose a "'New York is a mean ol' town song'" [2] In 1961, Dylan wrote "Down at Washington Square," a ballad about the 9 April 1961 police attack on the folksingers' gathering at Washington Square Park, and reworked the lyrics several times, although there is no evidence that the song was either ...
Sheet music for "New York, New York" from On the Town "New York, New York" is a song from the 1944 musical On the Town and the 1949 MGM musical film of the same name. The music was written by Leonard Bernstein and the lyrics by Betty Comden and Adolph Green. A well known line of this song is: New York, New York, a helluva town. The Bronx is up ...
"Down Home New York" by Archie Shepp "Down in Chinatown" by Paul Young "Down in Gossip Row" by Ada Jones "Down In New York" by Chris Robison "Down In New York City" by The Natural Born Schmoozers, written by Jeff Alexander "Down in the Depths (on the Ninetieth Floor)" by Cole Porter "Down in the Village" by Curtis Knight "Down New York City" by ...
Morris Smarr died in Queens, New York from pneumonia (possibly brought on by substance abuse) [3] Ernest Harriston was murdered in Harlem in the mid-1970s. [3] Leon Ivey died in 1993, after years of being an alcoholic. [3] Ken Hamilton died on September 6, 2002, from cancer. [3] [5]
Melbourne E. Bay was born on February 25, 1913, in the little Ozark Mountain town of Bunker, Missouri. [1] He bought a Sears Roebuck guitar at the age of 13 and several months later played his first "gig". Bay did not have a guitar teacher, so Bay watched the few guitarists he knew and copied their fingering on the fretboard, teaching himself ...
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Such composers as Rodgers and Hart (in their 1934 song "Blue Moon"), and Hoagy Carmichael and Frank Loesser (in their 1938 "Heart and Soul") used a I–vi–ii–V-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression I–vi–IV–V, so influential that it is sometimes referred to as the '50s progression.