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In popular culture, technological dystopias often are about or depict mass loss of privacy due to technological innovation and social control. They feature heightened socio-political issues like social fragmentation, intensified consumerism, dehumanization, and mass human migrations.
Change-o!", technological dystopian James Gleick mentions the remote control being the classic example of technology that does not solve the problem "it is meant to solve". Gleick quotes Edward Tenner, a historian of technology, that the ability and ease of switching channels by the remote control serves to increase distraction for the viewer.
Technological utopianism is often connected with other discourses presenting technologies as agents of social and cultural change, such as technological determinism or media imaginaries. [ 1 ] A tech-utopia does not disregard any problems that technology may cause, [ 2 ] but strongly believes that technology allows mankind to make social ...
Cyber-utopianism, web-utopianism, digital utopianism, or utopian internet is a subcategory of technological utopianism and the belief that online communication helps bring about a more decentralized, democratic, and libertarian society.
Until the late 20th century, it was usually anti-collectivist. Dystopian fiction emerged as a response to the utopian. Its early history is traced in Gregory Claeys' Dystopia: A Natural History (Oxford University Press, 2017). The beginning of technological dystopian fiction can be traced back to E. M. Forster's "The Machine Stops" (1909).
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting said to focus on a combination of "low-life and high tech". [1] It features futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. [2]
Internet personality James Charles, who boasted over 40 million followers, called the move "dystopian." Celebrities, influencers, and business leaders reacted to the shutdown of TikTok in the US ...
A prime example of this is digital composite-photography which involves stitching photographs together to create images that would not be possible without recent technology in order to conceptualise complex ideas through image. Skowronska, however, associates the digital sublime in art as a move away from the massive to the minutiae.