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"Concerning Hobbits" is a piece by composer Howard Shore derived from The Lord of the Rings: The Fellowship of the Ring soundtrack.It is a concert suite of the music of the Hobbits, arranged from the music heard in the film during the early Shire scenes, and features the various themes and leitmotifs composed for the Shire and Hobbits; it is intended to evoke feelings of peace. [1]
The scene of Bilbo's farewell party, with the hobbits dancing to diegetic music by Plan 9, [27] ostensibly being played by the musicians visible at the top right of the image. Some of the diegetic songs were not composed by Shore, but he orchestrated and conducted the orchestral accompaniment and even reprised some of them in his symphony. [28]
The Lord of the Rings: The Fellowship of the Ring: Original Motion Picture Soundtrack was released on 20 November 2001. It was composed, orchestrated, and conducted by Howard Shore, and performed by the London Philharmonic Orchestra, the New Zealand Symphony Orchestra, the London Voices, London Oratory School Schola choir and multiple featured instrumental and vocal soloists.
The music of The Hobbit film series is composed, orchestrated, and produced by Howard Shore, who scored all three The Lord of the Rings films, to which The Hobbit film trilogy is a prequel series. It continues the style of The Lord of the Rings score, using a vast ensemble, multiple musical forms and styles, many leitmotifs, and unusual ...
The music on the disc was arranged as a concert-piece while also keeping reasonably with the plot progression of the film. [3] Many of the cues are edited to create concert suites of some of the themes, such as the Ringwraith theme (in "Black Rider"), the Durin theme (in "Journey in the Dark"), the Rohan theme (in "Riders of Rohan"), and the ...
These words are related to a particular genre of music (hint: they deal with "names" that are spelled a little differently). Related: 300 Trivia Questions and Answers to Jumpstart Your Fun Game Night.
It was originally the main end-credits song, a direct continuation of the Breaking of the Fellowship piece, which features the Hymn variant as well. The musicologist Doug Adams comments that "Like all Shore's music for the hobbits, this song is designed to feel as if it could be both about the Shire and from it—as if it were some sweetly ...
The dialogue is rhythmically set to a techno version of music originally composed by Howard Shore for the movies' soundtracks, and contains among others the leitmotif of the song Concerning Hobbits. [4] The song caught the attention of participants of a discussion forum sponsored by the Association of Literary Scholars and Critics, in which the ...