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This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
The Hohner Professional B2 was a headless bass introduced in 1985. It used a bridge licensed from Steinberger and was available with passive or active pickups, the latter designated B2A, [47] as well as a five-string active version designated B2AV. The B2 proved a popular alternative to the much more expensive Steinberger headless basses and ...
As Höfner did not sell a left-handed version of the 500/1 at the time, McCartney's was a custom-built model. He placed the order for the bass at the Steinway Musikhaus in Hamburg, then the largest and most prestigious music store in the city. McCartney recalls ordering the bass as it was "quite cheap" in comparison to other instruments.
Some bass amps have a 15 or 20 dB pad which can be used to attenuate "hot" signals, such as basses with an internal preamplifier (depending on the model of amplifier, some brands may provide two inputs (high and low gain) instead of providing a "pad". This pad can be turned on using a button. Some bass amps have an even stronger pad, a 40 dB pad.
Most of the amplifiers produced by ACC were solid-state, but a few models later in production were valve amps. The company is remembered in particular for its Acoustic 361 bass stack, consisting of an Acoustic 360 bass pre-amplifier and one or two Acoustic 361 W-bins, each featuring a built-in 200-watt RMS power amplifier and a rear-facing 18" Cerwin-Vega loudspeaker.
In 1960, Ampeg introduced the B-15, a bass combo amplifier with an innovative flip-top function, invented and patented by Oliver. The B-15 was the first in the company's Portaflex series, and after becoming the preferred studio amp of session musicians like James Jamerson and Chuck Rainey.
McCartney played two left-handed 500/1 basses during most of the group's career—a 1961 model with pickups mounted close together towards the neck, and a 1963 model, with the second pickup mounted closer to the bridge. McCartney used the 1961 bass until the recording of With The Beatles in late 1963, when he got his second 500/1. McCartney ...
The Ampeg SVT is a bass guitar amplifier designed by Bill Hughes and Roger Cox for Ampeg and introduced in 1969. The SVT is a stand-alone amplifier or "head" as opposed to a "combo" unit comprising amp and speaker(s) in one cabinet, and was capable of 300 watts output at a time when most amplifiers could not exceed 100 watts output, making the SVT an important amp for bands playing music ...
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related to: left handed headless bass amp for sale by owner- 3579 S High St, Columbus, OH · Directions · (614) 409-0683
