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Second exposition: The piano enters with an ascending scale motif. The structure of the exposition in the piano solo is similar to that of the orchestral exposition. Development: The piano enters, playing similar scales used in the beginning of the second exposition, this time in D major rather than C minor. The music is generally quiet.
0–9. Piano Concerto No. 0 (Beethoven) Piano Concerto No. 1 (Beethoven) Piano Concerto No. 2 (Beethoven) Piano Concerto No. 3 (Beethoven) Piano Concerto No. 4 (Beethoven) Piano Concerto No. 5 (Beethoven) Piano Concerto No. 6 (Beethoven)
Piano Concerto No. 3 refers to the third piano concerto written by one of a number of composers: Piano Concerto No. 3 (Balada), by Leonardo Balada, 1899; Piano Concerto No. 3 (Bartók) in E major (Sz. 119, BB 127) by Béla Bartók, 1945; Piano Concerto No. 3 (Beethoven) in C minor (Op. 37), c.1800; Piano Concerto No. 3 (Chopin) (Allegro de ...
No. 1: Piano Sonata No. 9 in E major (arranged for String Quartet by the composer in F major, H 34, in 1801) No. 2: Piano Sonata No. 10 in G major; Op. 15: Piano Concerto No. 1 in C major (1795) Op. 16: Quintet for Piano and Winds (1796) (later arranged for piano quartet) Op. 17: Horn Sonata in F major (1800) Op. 18: Six String Quartets (1800)
Ludwig van Beethoven's Piano Sonata No. 7 in D major, Op. 10, No. 3, was dedicated to the Countess Anne Margarete von Browne, and written in 1798.This makes it contemporary with his three Op. 9 string trios, his three Op. 12 violin sonatas, and the violin and orchestra romance that became his Op. 50 when later published.
Although this was Beethoven's first piano concerto to be published, it was actually his third attempt at the genre, following an unpublished piano concerto in E-flat major of 1784 and the Piano Concerto No. 2. The latter was published in 1801 in Leipzig after the Piano Concerto No. 1, but was composed over a period of years, perhaps beginning ...
It was very common during Beethoven’s lifetime for people to collect and keep locks of hair from loved ones or famous people, said William Meredith, Beethoven scholar and study coauthor of the ...
The first movement opens with an andante clarinet solo, a long, lyrical melody that the whole orchestra eventually picks up and expands. The strings begin the allegro section with a scalar passage which seems to accelerate towards an upwards glissando climax, at which point the allegro entry of the solo piano unexpectedly breaks the lyrical mood in an exuberant, harmonically fluid burst of ...