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This pedal is a parametric equalizer. Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. [1] [2] Most hi-fi equipment uses relatively simple filters to make bass and ...
George Y. Massenburg (born Baltimore, Maryland c. 1947) is a Grammy award-winning recording engineer and inventor.Working principally in Baltimore, Los Angeles, Nashville, and Macon, Georgia, Massenburg is widely known for submitting a paper to the Audio Engineering Society in 1972 regarding the parametric equalizer.
The original stand-alone unit was called the ITI ME-230 (Mastering Equalizer 230) and was the first commercially available parametric EQ. [1] [4] Massenburg and Macneal type-set and printed a paper entitled “Parametric Equalization” in 1972 and Massenburg submitted it to the Audio Engineering Society in Los Angeles.
The Equalizer (2021 TV series), reboot of the 1985 TV series; The Equalizer, a 2014 film loosely based on the 1985 TV series; The Equalizer 2, a 2018 film and the sequel to the 2014 film; The Equalizer 3, a 2023 film and the sequel to the 2018 film; Dave Sullivan (wrestler) (born 1960), American retired wrestler, stagename "The Equalizer"
This page was last edited on 9 May 2011, at 02:34 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply ...
Mechanical designer Adam Reif, also an SRS employee, joined Scott in 1988 to start Euphonix in a garage in Palo Alto behind Scott's residence. At the same time, younger brother Rob Silfvast designed the Crescendo's 4-band parametric equalizer, one of its hallmark technologies, as his senior project at the University of Arizona.
Some higher-priced mixers have a parametric equalizer or a semi-parametric equalizer for one or more of the equalizer frequency bands, often the middle range. The channel strips are typically numbered so that the audio engineer can identify the different channels. For each channel input, a mixer provides one or more input jacks.
The MT-2 sported a complex design for a distortion pedal, with a dual-stage gain circuit, seven filters for both pre- and post-distortion, and a semi-parametric three-band EQ section. The pedal's thick, saturated, tight tone [ 15 ] and the extreme sounds the pedal was able to produce thanks to its powerful EQ controls made the MT-2 divisive ...
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