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Poems and Songs (1912) Poems and Songs Second Series (1912) The Day Before Yesterday (essays, 1912) The Ghost Ship and Other Stories (1912) Monologues (1913) Queen Melanie and the Woodboy (novel, 1931) The Pantomime Man (stories, 1933) Richard Middleton (poems, 1937), Richards Press
The Ingoldsby Legends (full title: The Ingoldsby Legends, or Mirth and Marvels) is a collection of myths, legends, ghost stories and poems written supposedly by Thomas Ingoldsby of Tappington Manor, actually a pen-name of an English clergyman named Richard Harris Barham.
Ghost of Chance is a novella by William S. Burroughs.The story was first published in 1991 in a special limited edition by the Library Fellows of the Whitney Museum of American Art; this was followed by a mass market hardcover edition in 1995 by High Risk Books and a paperback edition published after Burroughs' death.
The news that Tariq is going to be a father has him thinking — and tripping, in several senses — a lot about his own pop in Power Book II: Ghost‘s midseason finale. In a moment, we’re ...
Ghost of a Chance (1968), a Children's Film Foundation short feature; Ghost of a Chance (1987), an American comedy TV film starring Red Foxx and Dick van Dyke; Ghost of a Chance (1998), an American TV film directed by Paul Haggis; A Ghost of a Chance (2011), a Japanese comedy mystery film directed by Kōki Mitani
All poetry was originally oral, it was sung or chanted; poetic form as we know it is an abstraction therefrom when writing replaced memory as a way of preserving poetic utterances, but the ghost of oral poetry never vanishes. [28] Poems may be read silently to oneself, or may be read aloud solo or to other people.
"I Don't Stand a Ghost of a Chance With You" is a 1932 song recorded by Bing Crosby with Orchestral Accompaniment. The music was composed by Victor Young, with lyrics written by Ned Washington and Bing Crosby. The song is a jazz and pop standard that has been recorded by many different artists. [1] [2]
Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma in November 1912. An unsentimental meditation upon a complex marriage, [ 1 ] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.