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Instant Funk: March 24 "We Are Family"/ "He's the Greatest Dancer"/ "Lost in Music" Sister Sledge: March 31 April 7 "Dancer"/ "Dance to Dance" Gino Soccio: April 14 April 21 April 28 May 5 May 12 May 19 "Ring My Bell" Anita Ward: May 26 Bad Girls (all cuts) [1] Donna Summer: June 2 June 9 June 16 June 23 June 30 July 7 July 14 "Born to Be Alive ...
Liza with a "Z" is a 1972 concert film made for television, starring Liza Minnelli, produced by Fred Ebb and Bob Fosse. Fosse also directed and choreographed the concert, and Ebb wrote and arranged the music with his song-writing partner John Kander. All four had recently completed the successful film adaptation of Cabaret.
Daft Punk Concert on July 15, 2006 in Barcelona. Funky house is a subgenre of house music that uses disco and funk samples, a funk-inspired bass line or a strong soul influence, combined with drum breaks that draw inspiration from 1970s and 1980s funk records. [1]
Sly & the Family Stone's pop-funk had spawned singers like Roberta Flack and Donny Hathaway, alongside George Clinton's [1] spacy P Funk extravaganzas, Lynyrd Skynyrd and the Allman Brothers Band led a wave of country rock bands. Pop progressive-hard rock bands like Boston, Kansas, Journey, and Styx had long-running popularity.
Dance-punk (also known as punk-funk [citation needed]) is a post-punk subgenre that emerged in the late 1970s, and is closely associated with the disco, post-disco and new wave movements. [2] The genre is characterized by mixing the energy of punk rock with the danceable rhythms of funk and disco .
Sampling is one of the biggest aspects of hip hop and rap, and these types of records provide breaks for artists to use in their songs. [15] Examples of rare groove samples, such as Eazy-E's "Eazy Duz It" [16] (which samples the Detroit Emeralds, Bootsy Collins, Funkadelic, Isley Brothers, Sly and the Family Stone, the Temptations and even Richard Pryor), can be found in modern hip hop ...
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Compiled by its writer-producer-director, Jack Haley Jr., under the supervision of executive producer Daniel Melnick, the film turned the spotlight on MGM's legacy of musical films from the 1920s through the 1950s, culling dozens of performances from the studio's movies, and featuring archive footage of Judy Garland, Eleanor Powell, Lena Horne, Esther Williams, Ann Miller, Kathryn Grayson ...