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Chinese paper-cutting originated from the practice of worship of both ancestors and gods, a traditional part of Chinese culture dating back roughly two millennia. According to archaeological records, paper-cutting originates from the 6th century, although some believe that its history could be traced back as far as the Warring States period (around 3 BC), long before paper was invented.
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China Paper Cutting Museum. / 32.395640; 119.446998. The China Paper Cutting Museum ( Chinese: 中国剪纸博物馆) is a museum located in Yangzhou, China. The museum is dedicated to preserving paper art from China.
Chinese paper folding. Chinese paper folding, or zhezhi (摺紙), is the art of paper folding that originated in medieval China. The work of 20th-century Japanese paper artist Akira Yoshizawa widely popularized the Japanese word origami; however, in China and other Chinese-speaking areas, the art is referred to by the Chinese name, zhezhi.
Shanghai-style papercutting. Shanghai-style papercutting is a variety of papercutting practiced in south China, and in particular in Shanghai . The making of papercuts is a popular folk art in China. In the hands of an artisan, and with the help of a knife or a pair of scissors, a piece of paper can be turned into any of a wide variety of ...
Chinese paper cutting ( 剪纸, jianzhi) is a type of folk art that has roots in China during the 6th century and is attributed to Cai Lun during the Han Dynasty. Known to be very intricate with the use of negative space, paper cutting is used for mostly decorative reasons, appearing on mirrors, lanterns, walls, etc.
Lü Shengzhong ( Chinese: 吕胜中; born 1952) is a Chinese artist who specializes in the ancient Chinese art of paper cutting. He came of age during the turbulent Cultural Revolution. When China started to open up following the death of Chairman Mao in 1976, Lü Shengzhong turned to traditional Chinese folk arts, unlike his contemporaries who ...
Zhizha. Zhizha (simplified Chinese: 纸扎; traditional Chinese: 紙紮; pinyin: zhǐzā), or Taoist paper art, is a type of traditional craft, mainly used as offerings in Taoist festive celebrations and funerals. It had become a widely accepted element in religious practice since Northern Song Dynasty.
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