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Aesop's Fables is a collection of animal fables, often with moral lessons, attributed to Aesop.
It is under the title "The Dog and the Bone" that the fable was set by Scott Watson (b. 1964) as the third in his "Aesop's Fables for narrator and band" (1999). [35] More recently, the situation has been used to teach a psychological lesson by the Korean choreographer Hong Sung-yup.
Anthropomorphic cat guarding geese, Egypt, c. 1120 BCE. Fable is a literary genre defined as a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim or ...
Jules-Joseph Lefebvre, The Grasshopper (1872), National Gallery of Victoria, Australia. Because of the influence of La Fontaine's Fables, in which La cigale et la fourmi stands at the beginning, the grasshopper then became the proverbial example of improvidence in France: so much so that Jules-Joseph Lefebvre (1836–1911) could paint a picture of a female nude biting one of her nails among ...
They were told with the didactic intent of drawing moral lessons which could be either secular or spiritual. Many different versions of the stories were created but writers frequently followed understood conventions. One such convention was the inclusion of the didactic moral lesson in a moralitas (plural moralitates) inserted after the fable ...
An illustration of the fable by J.M.Condé, 1905. The Dog and the Wolf is one of Aesop's Fables, numbered 346 in the Perry Index. [1] It has been popular since antiquity as an object lesson of how freedom should not be exchanged for comfort or financial gain. An alternative fable with the same moral concerning different animals is less well known.
The poem consists of 43 seven-lined stanzas of which the first twelve recount a meeting with Aesop in a dream and six stanzas at the end draw the moral; the expanded fable itself occupies stanzas 13–36. A political lesson of a different kind occurs in Francis Barlow's 1687 edition of the fables.
The earliest known appearance of this fable is in the 1933 Russian novel The German Quarter by Lev Nitoburg. The novel refers to it as an "oriental fairy tale". [2] The fable also appears in the 1944 novel The Hunter of the Pamirs, and this is the earliest known appearance of the fable in English. [3]