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Hidalgo's works, together with Juan Luna's, are part of the Hall of Masters in the National Museum of Fine Arts of the National Museum of the Philippines. [19] By winning medals at the Madrid Exposition, both Hidalgo and Juan Luna are the first "international" Filipino painters.
Félix Resurrección Hidalgo y Padilla (February 21, 1855 – March 13, 1913) was a Filipino artist. He is acknowledged as one of the greatest Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce, and Graciano ...
The Battle of Lepanto (Spanish: La Batalla de Lepanto [1]) is a painting by Filipino painter [1] and revolutionary activist Juan Luna. Along with Félix Resurrección Hidalgo, Luna is one of the first Filipinos to excel and earn recognition in the international field of arts and culture. [2] [3] [4] [5]
Hidalgo with members of the Pardo de Tavera family including José Rizal and Juan Luna's wife Paz Pardo de Tavera at Luna's studio in Paris.. The La Pintura was created by Hidalgo in the impressionist style inspired by the trend of Japonisme, as the collecting and display of ukiyo-e prints was gaining significant traction among Western art circles.
Juan Luna completed The Blood Compact in 1886, a year after he moved to Paris to open a studio. It was also the year after Luna became a friend of Félix Resurrección Hidalgo, another known Filipino painter. [1] In 1904, the painting won the first prize in Paris, France and at the St. Louis Exposition in the United States. [6]
Juan Luna: The Filipino as Painter (1980) Unang Pambansang Eksibisyon sa Paggunita kina Juan Luna at Felix Resurreccion Hidalgo/First National Juan Luna and Felix Resurreccion Hidalgo Commemorative Exhibition (1988) Inspired Calm: The Sober Realism of Domingo A. Celis (1992) Pamana: The Jorge B. Vargas Art Collection (1992)
He was among the illustrados, Filipino intelligentsia of the Spanish colonial period, where he would collaborate with other elite Filipino artisans Juan Luna, Felix Resurreccion Hidalgo and Félix Pardo de Tavera. They influenced each other's creative output, with him sometimes posing as character references for paintings.
"Toast to Juan Luna and Felix Hidalgo", 1884 speech given at Restaurante Ingles, Madrid; Noli Me Tángere, 1887 novel (literally Latin for 'touch me not', from John 20:17) [66] Alin Mang Lahi ("Whate'er the Race"), a Kundiman attributed to Dr. José Rizal [67] "Sa Mga Kababaihang Taga-Malolos" (To the Young Women of Malolos), 1889 letter [68]