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"Misty Blue" was released in October 1966 and spent most of December 1966 and January–February 1967 in the top ten, peaking at number 4 on the Billboard Hot Country Singles chart. It ultimately became her highest-charting single. [3] The song spawned the release of Burgess's second studio album Wilma Burgess Sings Misty Blue in 1967. [4]
The singles discography of American singer Brenda Lee contains 90 as a lead artist, four as a collaborative and featured artist, nine released in foreign languages, 21 promotional singles, 19 other charting songs and two music videos (for singles and songs).
Bye Bye Blues is a studio album by American singer Brenda Lee. It was released on March 14, 1966, via Decca Records and was her sixteenth studio album. The project consisted of 12 tracks, most of which were cover tunes recorded originally by other artists. A new song was also included called "Rusty Bells", which was the album's only single. The ...
Then "Misty Blue" - handed down to Burgess after being rejected by Brenda Lee - was shortly established as a trademark song for Burgess' prime influence Eddy Arnold, whose version in the spring of 1967 not only reached No. 3 C&W but became a regional pop hit reaching No. 57 nationally.
Brenda Mae Tarpley (born December 11, 1944), [2] known professionally as Brenda Lee, is an American singer. Primarily performing rockabilly , pop, country and Christmas music , she achieved her first Billboard hit aged 12 in 1957 and was given the nickname "Little Miss Dynamite".
Lee talks about her connection to her fellow rock and roll legends in the new PBS American Masters documentary Brenda Lee: Rockin' Around. Harry Hammond/V&A Images/Getty Brenda Lee in 1960.
The song wasn't an immediate hit, but Lee went on to become the most successful female star of the 1960s, scoring two No. 1 hits, "I'm Sorry" and "I Want to Be Wanted," in the first year of the ...
Reflections in Blue is a studio album by American singer Brenda Lee. It was released on October 16, 1967, by Decca Records and was her eighteenth studio project. The album was considered a departure from Lee's previous studio projects in its musical style. Many of the tracks incorporated a Blues element and many were covers of previously ...