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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Rondel (or roundel): a poem of 11 to 14 lines consisting of 2 rhymes and the repetition of the first 2 lines in the middle of the poem and at its end. Sonnet: a poem of 14 lines using any of a number of formal rhyme schemes; in English, they typically have 10 syllables per line. Caudate sonnet; Crown of sonnets (aka sonnet redoublé) Curtal sonnet
A line break is the termination of the line of a poem and the beginning of a new line. The process of arranging words using lines and line breaks is known as lineation, and is one of the defining features of poetry. [2] A distinct numbered group of lines in verse is normally called a stanza. A title, in certain poems, is considered a line.
Both are commonly used in poetry. "She would run up the stairs and then a new set of curtains" is a variety of zeugma called a syllepsis. Run up can refer either to a quick ascent or to manufacture. The effect is enhanced by the momentary suggestion, through a pun, that she might be climbing the curtains.
Poems often arrange their lines in patterns of masculine and feminine endings, for instance in "A Psalm of Life", cited above, every couplet consists of a feminine ending followed by a masculine one. This is the pattern followed by the hymns that are classified as "87.87" in standard nomenclature (for this system see Meter (hymn) ); an example ...
In poetry, a dropped line is a line which is broken into two lines, but where the second part is indented to the horizontal position it would have had as an unbroken line. For example, in the poem "The Other Side of the River" by Charles Wright , the first and second lines form a dropped line, as do the fourth and fifth lines: [ 1 ]
Although deriving from native folk versification, it is possible that this line, and the related 6-syllable line, were influenced by Latin or Romance examples. [31] When employed in 4-line or 8-line stanzas and riming in couplets, this is called the Hungarian alexandrine; it is the Hungarian heroic verse form. [32]
It creates run on lines where a thought, phrase, or clause in a line of poetry does not come to an end break, but moves on to the following line. It may be employed to reinforce a central idea by eradicating the use of semi-colons, periods, or commas which may distract the reader. Enjambment is also employed to achieve a fast pace or rhythm.