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Edith Claire Head (née Posenor, [1] October 28, 1897 – October 24, 1981) was an American film costume designer who won a record eight Academy Awards for Best Costume Design [3] between 1949 and 1973, making her the most awarded woman in the Academy's history. Head is considered to be one of the greatest and most influential costume designers ...
The following year she did the costume design for another Day film, Lover Come Back (1961), and during 1962 worked on her last production, A Gathering of Eagles (released in 1963). In 1962, after Doris Day noticed that Lentz seemed upset and nervous, Lentz confided in her that she was in love with actor Gary Cooper and that he was the only man ...
Adrian Adolph Greenburg (March 3, 1903 – September 13, 1959), widely known mononymously as Adrian, was an American costume designer whose most famous costumes were for The Wizard of Oz and hundreds of Metro-Goldwyn-Mayer films between 1928 and 1941. He was usually credited onscreen with the phrase "Gowns by Adrian".
We have (her costumes from) musicals, we have Hitchcock's masterpieces in the '50s, and then the changing style of Hollywood in the '60s," Anderson said. "Her career was so long; her achievement ...
"This movie was super juicy," says costume designer Arianne Phillips, about creating a stunning and expansive late '60s-era wardrobe for "Once Upon a Time ... in Hollywood." "There were just so ...
Kay Nelson (née Bushard) was a Hollywood costume designer at 20th Century Fox [1] whose first film was Up in Mabel's Room in 1944. Over the next 17 years, she provided the costumes for such films as Leave Her to Heaven (1945), Boomerang, Miracle on 34th Street and Gentleman's Agreement (all 1947) and A Letter to Three Wives (1949).
Gomez spoke with ELLE for our Women in Hollywood issue about what she wished she knew about the industry before entering it at such a young age. Gomez started acting on Barney when she was 10 ...
The film boasted thousands of expensive costumes and lavish set design. The costumes created for the film are among the most expensive in film history. Costume designer Adrian visited France and Austria in 1937 to research the period. While there he purchased vast quantities of antique materials, French lace, and period accessories for use in ...