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In Spain, the song was covered by a popular group called Parchís, under the title "Hasta luego cocodrilo". In Germany, new German-language lyrics were written for the song, which was retitled "Mr. Patton aus Manhattan"; this version of the song was the subject of European hit recordings by Renee Franke and Werner Hass.
"Bebe Dame" is a song by the American regional Mexican bands Fuerza Regida and Grupo Frontera, released on December 16, 2022 as the third single from the former's seventh studio album Sigan Hablando (2022). The song was produced by Jimmy Humilde, Edgar Barrera, Miguel Armenta and JOP.
The song was a huge hit for Felipe Rodríguez in the early 1950s and has been covered by many others. [ citation needed ] Capo had six children: Félix Manuel Rodríguez (musician Bobby Capo Jr, father of Pedro Capó ), Irma "Mimi" Rodríguez López, Soraya Rodríguez, Waldo Rodríguez, Jacqueline Rodríguez (also a singer) and Zahera Rodríguez.
Spanish musician Tino Casal recorded a techno-pop [61] version in 1987 for his album Lágrimas de Cocodrilo and it was released as the first single from the album in 1988. "Eloise" was one of his biggest hits, [ 62 ] managing to be number one for several weeks in Spain and reaching number one on Los 40 Principales in June 1988 .
A Spanish version of Brenda Lee's "Rockin' Around the Christmas Tree" created with artificial intelligence -- and with Lee's approval -- is here just in time for the holiday season.
The album also contains three bonus tracks: "La Gorda", "Lluvia" Banda version and "Pruébame". The album was produced by Pedro Fernández with Manuel Calderón and coordinated by Jorge Avendaño . "No Que No" was first issued through EMI Music and the singles from that release, "Lluvia" and "No Que No", both advanced to the top of the radio at ...
How Doth the Little Crocodile (Spanish: Cómo hace el pequeño cocodrilo) [a] is both a painting and an outdoor bronze sculpture by British-born Mexican surrealist artist Leonora Carrington. Carrington first painted How Doth the Little Crocodile in 1998. [ 1 ]
In June 2017, following the number one peak of "Despacito" in the Hot 100, Philip Bump of The Washington Post related the increasing success of Spanish-language songs in the United States since 2004 with the growth of its Spanish-speaking population, highlighting an improvement from 4.9% in 1980 to 11.5% in 2015. [11]