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Matthias Goerne (born 31 March 1967 [1]) is a German baritone.He has performed and recorded extensively, both on the opera stage and in Lieder settings. Goerne has been referred to as "Today's leading interpreter of German art songs" by the Chicago Tribune, [2] while the Boston Globe describes him as "one of the greatest singers performing today".
We all moved into that, practically the whole band...The number of that apartment was 1411. And that is how that title came up, "Room 1411", by Benny Goodman's Boys." Goodman played baritone saxophone "on the more straight-ahead Chicago-style 'Room 1411'". [12] "Room 1411 (Goin' to Town)" is Glenn Miller's first known composition.
Piano Concerto, op. 18, with baritone and male choir in last movement (1938) Ferruccio Busoni. Piano Concerto in D, op. 17, for piano and string orchestra (1878) Piano Concerto in C, op. 39 (1902-4), with male chorus; Indian Fantasy, op.44, for piano and orchestra; Konzert-Fantasie, op.32 (1888–89), for piano and orchestra
The bass-baritone bugle was developed in the 1950s to give a broader depth to the low voice in the drum corps. These instruments were designed to imitate the American concert baritone, which itself is a hybrid of a British style baritone and standard Euphonium.
Kevin Hufnagel is an American musician, based in NYC. He is known for his solo guitar works, for forming the progressive instrumental rock/metal band Dysrhythmia, [1] and for being a member of Gorguts, [2] [3] Vaura, Sabbath Assembly, Veldune, and Byla.
The Concours musical international de Montréal (CMIM) is an elite-level competition for classical musicians who are interested in pursuing an international career as a professional concert artist.
Soprano, baritone, SSAA chorus, orchestra; libretto by D. Stevens after Wilde; presented New York 1914 [12] Bernard Herrmann: The Happy Prince: music for a narration 1945 for a recording of the story spoken by Bing Crosby and Orson Welles, with an orchestra conducted by Victor Young: Malcolm Williamson: The Happy Prince: opera c. 1965
Maria Caniglia (Soprano), Francesco Merli (Tenor), Piero Biasini (Baritone), Orchestra and chorus of La Scala Live recording, Teatro alla Scala Music and Arts 1104 5 February 1949 Verdi: Otello (aria "Willow Song") Renata Tebaldi, Orchestra and chorus of La Scala: Live recording, Teatro alla Scala, Milan Fono Enterprise 1058 12 December 1940 Verdi