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The Mokshya is a climatic pure dance of Odissi, ... such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. [16]
Kelucharan Mohapatra (8 January 1926 – 7 April 2004) was a legendary Indian classical dancer, guru, and exponent of Odissi dance, who is credited with the revival and popularizing of this classical dance form in the 20th century. [2] He is the first person to receive the Padma Vibhushan from Odisha. [3]
The definition and meaning of moksha varies between various schools of Indian religions. [14] Moksha means freedom, liberation, but from what and how is where the schools differ. [15] Moksha is also a concept that means liberation from rebirth or saṃsāra. [4]
Moksha can also be reached by total surrender and saranagati, an act of grace by the Lord. [269] Ramanuja's Sri Vaishnavism subscribes to videhamukti (liberation in afterlife), in contrast to jivanmukti (liberation in this life) found in other traditions within Hinduism, such as the Smarta and Shaiva traditions.
A jīvanmukta, literally meaning 'liberated while living', [1] is a person who, in the Jain and Vedānta philosophy, has gained complete self-knowledge and self-realisation and attained kaivalya (enlightenment) or moksha (liberation), thus is liberated while living and not yet dead.
Nididhyasana is the final step in the correct understanding of the meaning of the Mahavakyas. Classical Advaita Vedanta emphasizes the path of Jnana Yoga, a progression of study and training to attain moksha. It consists of four stages: [2] [web 1]
(Akasha is a Sanskrit word meaning "sky", "space" or "aether") In the religion of theosophy and the philosophical school called anthroposophy, the Akashic records are a compendium of all universal events, thoughts, words, emotions and intent ever to have occurred in the past, present, or future in terms of all entities and life forms, not just ...
The theory of rasas forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, Kathakali, Kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, and others. [8] In Indian classical music, each raga is an inspired creation for a specific mood, where the musician or ensemble creates the rasa in the listener. [12]