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"The Wind" shows great inventiveness in its choice of metaphors and similes, while employing extreme metrical complexity. [9] It is one of the classic examples [10] [11] of the use of what has been called "a guessing game technique" [12] or "riddling", [13] a technique known in Welsh as dyfalu, comprising the stringing together of imaginative and hyperbolic similes and metaphors.
A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g.,
A vinyl LP of Carl Sandburg reading some of his poems, Carl Sandburg reading Fog and other poems was released on Caedmon (TC 1253) in 1968. Description: 2s. : 33 1 ⁄ 3 rpm, stereo; 12in. Reviewed: J. R. S. (March 1969). "Reviewed work: Recordings from Caedmon. Thoreau: Civil Disobedience. Carl Sandburg Reading "Fog" and Other Poems". The ...
A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else).
A Dictionary of Similes is a dictionary of similes written by the American writer and newspaperman Frank J. Wilstach. In 1916, Little, Brown and Company in Boston published Wilstach's A Dictionary of Similes, a compilation he had been working on for more than 20 years. It included more than 15,000 examples from more than 800 authors, indexing ...
Homeric simile, also called an epic simile, is a detailed comparison in the form of a simile that is many lines in length. The word "Homeric", is based on the Greek author, Homer, who composed the two famous Greek epics, the Iliad and the Odyssey. Many authors continue to use this type of simile in their writings although it is usually found in ...
The poet becomes the wind's instrument, his "lyre" (57). This is a symbol of the poet's own passivity towards the wind; he becomes his musician and the wind's breath becomes his breath. The poet's attitude—towards the wind has changed: in the first canto the wind has been an "enchanter" (3), now the wind has become an "incantation" (65).
I love that line in the poem, and it was a metaphor for my story, about taking a cup full of fire from the sun." [1] The Golden Apples of the Sun was Bradbury's third published collection of short stories. [3] The first, Dark Carnival, was published by Arkham House in 1947; the second, The Illustrated Man, was published by Doubleday & Company ...