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Fulu for placement above the primary entrance of one's home, intended to protect against evil. Fulu (traditional Chinese: 符籙; simplified Chinese: 符箓; pinyin: fúlù) are Taoist magic symbols and incantations, [1] [2] translatable into English as 'talismanic script', [a] which are written or painted on talismans by Taoist practitioners.
The symbol 睽 also means separated, estranged, and stare. Its inner (lower) trigram is ☱ ( 兌 duì) open = ( 澤 ) swamp, and its outer (upper) trigram is ☲ ( 離 lí) radiance = ( 火 ) fire.
Chinese ritual mastery traditions, also referred to as ritual teachings (Chinese: 法教; pinyin: fǎjiào, sometimes rendered as "Faism"), [1] [2] Folk Taoism (民間道教; Mínjiàn Dàojiào), or Red Taoism (mostly in east China and Taiwan), constitute a large group of Chinese orders of ritual officers who operate within the Chinese folk religion but outside the institutions of official ...
During the medieval period (中世紀) Taoists developed the idea of the "true form" or zhenxing.The term "true form" denotes the original form something has as a part of the Dao (道, dào), which Taoists refer to as the "Great Image without form" (大象無形), [5] and can be applied to a broad range of things such as a deity, an icon, a purified self, a talisman, or a picture.
The bagua (Chinese: 八卦; pinyin: bāguà; lit. 'eight trigrams') is a set of symbols from China intended to illustrate the nature of reality as being composed of mutually opposing forces reinforcing one another. Bagua is a group of trigrams—composed of three lines, each either "broken" or "unbroken", which represent yin and yang ...
There are also special symbols in Chinese arts, such as the qilin, and the Chinese dragon. [1] According to Chinese beliefs, being surrounding by objects which are decorated with such auspicious symbols and motifs was and continues to be believed to increase the likelihood that those wishes would be fulfilled even in present-day. [2]
The Twelve Ornaments (Chinese: 十二章; pinyin: Shí'èr zhāng) are a group of ancient Chinese symbols and designs that are considered highly auspicious. They were employed in the decoration of textile fabrics in ancient China, which signified authority and power, and were embroidered on vestments of state.
Contrasted with the Neijing tu, the Xiuzhen tu pictures the meditator's body in a front view rather than side, and includes a longer textual portion, which describes Neidan practices, lunar phases, and Leifa 雷法 "Thunder Rites" associated with the Zhengyi Dao movement of the Tianshi Dao "Way of Celestial Masters".