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The Sickness unto Death (Danish: Sygdommen til Døden) is a book written by Danish philosopher Søren Kierkegaard in 1849 under the pseudonym Anti-Climacus. A work of Christian existentialism, the book is about Kierkegaard's concept of despair, which he equates with the Christian concept of sin, which he terms "the sin of despair".
Kierkegaard called his gaining knowledge of his father's sin the "great earthquake". Maybe he heard someone say that cursing God was the unforgivable sin or that fornication was the unforgivable sin. Kierkegaard wrote out of concern for his father's anxiety and for others like him who believe that God shuts his door against them. [9]
The Unscientific Postscript is but one more voluminous commentary on the main theme of all Kierkegaard’s work, the dilemma which he represented by the phrase “either-or”: either aesthetic immediacy, which includes not only the eudaemonistic search for pleasure, but also despair (the “sickness unto death”) and religious or metaphysical ...
Kierkegaard's "despair" is a somewhat analogous precursor of existential angst. The natural reaction is to make an eventual leap to the second phase, the ethical, which is characterized by rational choice and commitment that replace the capricious and inconsistent longings of the aesthetic mode.
Kierkegaard also viewed the individual as a necessary synthesis of both finite and infinite elements. Therefore, when an individual does not come to a full realization of his infinite side, he is said to be in despair. For many contemporary Christian theologians, the notion of despair can be viewed as sin.
It is a paramount feature of existentialist philosophy, in which anguish is often understood as the experience of an utterly free being in a world with zero absolutes (existential despair). In the theology of Søren Kierkegaard , it refers to a being with total free will who is in a constant state of spiritual fear in the face of their ...
Many of Kierkegaard's earlier writings from 1843 to 1846 were written pseudonymously. In the non-pseudonymous The Point of View of My Work as an Author, he explained that the pseudonymous works are written from perspectives which are not his own: while Kierkegaard himself was a religious author, the pseudonymous authors wrote from points of view that were aesthetic or speculative.
Harold Victor Martin published Kierkegaard, the Melancholy Dane (1950) and had this to say about this book: The personal religious sense of Repetition in relation to time and eternity is brought out by Kierkegaard in a striking Discourse entitled: The Joy of it—that what thou dost lose temporally, thou dost gain eternally.