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At the time, it was the only place on the island where tattoo studios were located. His studio became China Sea Tattoo after his death. His earlier studios were at 434 South State Street, 150 North Hotel Street and 13 South Hotel Street. Collins developed tattoo designs with inspiration from sailor tattoos and Japanese tattoo imagery. [3]
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Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
The Great Wave off Kanagawa is also the subject of the 93rd episode of the BBC Radio series A History of the World in 100 Objects produced in collaboration with the British Museum, which was released on 4 September 2010. [86] A replica of The Great Wave off Kanagawa was created for a documentary film about Hokusai released by the British Museum ...
An anchor could indicate sailing across the Atlantic, or represent that a sailor had achieved the rank of a leader or had spent a long time at sea, [57] or it could be sailor's a first tattoo. [11] Crossed anchors between the thumb and forefinger signified a boatswain's mate , [ 42 ] while crossed cannons represented naval service.
A body suit or full body suit is an extensive tattoo, usually of a similar pattern, style or theme that covers the entire torso or the entire body. [1] They are associated with traditional Japanese tattooing as well as with some freak show and circus performers. [2]
Edo period Antique Japanese wakizashi sword blade showing the horimono, of a chrysanthemum Horimono ( 彫り物 , 彫物 , literally carving, engraving), also known as chōkoku ( 彫刻 , "sculpture"), are the engraved images in the blade of a nihonto ( 日本刀 ) Japanese sword , which may include katana or tantō blades. [ 1 ]
Hokusai also changed the subjects of his works, moving away from the images of courtesans and actors that were the traditional subjects of ukiyo-e. Instead, his work became focused on landscapes and images of the daily life of Japanese people from a variety of social levels. This change of subject was a breakthrough in ukiyo-e and in Hokusai's ...