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D-TV is a music video television series produced by Charles Braverman [1] and edited by Ted Herrmann. Premiering on May 5, 1984 on the Disney Channel, [2] the series combined both classic and contemporary popular music with various footage of vintage animated shorts and feature films from The Walt Disney Company, created out of the trend of music videos on cable channel MTV, which inspired the ...
The Popeye Valentine Special: Sweethearts at Sea (1979/CBS) The Pink Panther in: Pink at First Sight (1981/ABC) Someday You'll Find Her, Charlie Brown (1981/CBS) The Berenstain Bears' Comic Valentine (1982/NBC) The Valentine's Day that Almost Wasn't (1982) I Love the Chipmunks Valentine Special (1984) DTV Valentine (1986) DTV Doggone Valentine ...
The 1987 Disney Channel TV special D-TV: Doggone Valentine used the Soul Survivors version, shown with clips of Goofy and other Disney cartoon dog characters in their cars, fighting their way through various traffic jams. The Soul Survivors rendition was used in the 1996 movie, Striptease.
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YouTube.com Cable and satellite TV providers give you access to hundreds of channels, but all of them are clearly intended for human viewers. That's about to change. Bloomberg reports that DirecTV ...
Joe Barton led the movement in the House to defeat the measure, saying that "the DTV transition is neither stuck nor broke", and that any problems with the DTV transition can be fixed. [70] Barton also said, "I guarantee you, no matter when you set the date— February 17, June 12, July the Fourth, Valentine's Day— there are going to be some ...
Learn a bit more about Valentine's Day and why we celebrate Feb. 14 with sweet nothings, candy and other fascinating trivia facts in this fun game that uses chocolate Hershey's kisses as incentive.
Hot Tub harbors comedy acts that are unusual, odd, experimental, and generally free-wheeling. The show is also a venue in which well-known comedians try out new material and more eccentric bits. There is a great deal of improv, absurd performance art, and audience interaction in many performances. Much of Braunohler and Schaal’s material is ...