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Rome was founded as a monarchy under Etruscan rule, and remained as such throughout the first two and a half centuries of its existence. Following the expulsion of Rome's last king, Lucius Tarquinius Superbus, or "Tarquin the Proud," circa 509 BC, Rome became a republic and was henceforth led by a group of magistrates elected by the Roman people.
The Theatre of Nero (Latin: Theatrum Neronis) [1] was the private theatre erected in Rome by Nero, the Roman emperor between AD 53 and AD 68. [ 2 ] It was known only from literary sources until its remains were discovered in 2020.
The Roman theatre also had a podium, which sometimes supported the columns of the scaenae frons. The theatre itself was divided into the stage (orchestra) and the seating section . The cavea was sometimes constructed on a small hill or slope in which stacked seating could be easily made in the tradition of the Greek theatres.
The Fall of Rome (Ancient Rome: The Rise and Fall of an Empire – Episode Six) 2006 docudrama about the sack of Rome by Alaric's Visigoths The Last Legion: 2007 loosely inspired by the 5th-century collapse of the Western Roman Empire and the legendary-fantastic elements from the history of Britain (dir. by Doug Lefler), with Colin Firth and ...
The Roman elite despised Emperor Nero’s “artistic endeavors,” a historian said.
Theatre at Vis Issa: Vis: Croatia: 54.8 metres (180 ft) Position approximate; Entry in Theatrum database Small Theatre of Pula Colonia Pietas Iulia Pola Pollentia Herculanea Pula: Croatia: 82 metres (269 ft) Entry in Theatrum database Theatre at Salona Salona
Nero, or The Fall of Rome (Italian: Nerone, o la caduta di Roma) is a 1909 Italian short silent Epic film directed by Luigi Maggi and Arturo Ambrosio, based on the eponymous 1872 drama by Pietro Cossa. This is one of the oldest surviving Italian epic films about Ancient Rome. [1]
The theatre of ancient Rome was a thriving and diverse art form, ranging from festival performances of street theatre, nude dancing, and acrobatics, to the staging of Plautus's broadly appealing situation comedies, to the high-style, verbally elaborate tragedies of Seneca.
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