Search results
Results from the WOW.Com Content Network
Symbol at the very end of a staff of music which indicates the pitch for the first note of the next line as a warning of what is to come. The custos was commonly used in handwritten Renaissance and typeset Baroque music. cut time Same as the meter 2 2: two half-note (minim) beats per measure. Notated and executed like common time (4
Pages in category "20th-century English conductors (music)" The following 117 pages are in this category, out of 117 total. This list may not reflect recent changes .
Tempo rubato (Italian for 'stolen time'; UK: / ˈ t ɛ m p oʊ r ʊ ˈ b ɑː t oʊ /, US: / r uː-/, [1] [2] Italian: [ˈtɛmpo ruˈbaːto];) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor.
A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return: A recurring passage in a piece of Baroque music Segue: it follows: A smooth movement from one passage to another with ...
Sheet music for the title song from Sweethearts In 1894 Herbert composed his first operetta , Prince Ananias , for a popular troupe known as The Bostonians . The piece was well received, and Herbert soon composed three more operettas for Broadway , The Wizard of the Nile (1895), The Serenade (1897), which enjoyed international success, and The ...
Leonard Bernstein (/ ˈ b ɜːr n s t aɪ n / BURN-styne; [1] born Louis Bernstein; August 25, 1918 – October 14, 1990) was an American conductor, composer, pianist, music educator, author, and humanitarian. Considered to be one of the most important conductors of his time, he was the first American-born conductor to receive international ...
You can find instant answers on our AOL Mail help page. Should you need additional assistance we have experts available around the clock at 800-730-2563.
During his lifetime, Hadley's music was immensely popular, and was a regular part of the repertory of America's top orchestras, and was also performed in Europe. Many legendary conductors performed his music, including Gustav Mahler, Leopold Stokowski, Serge Koussevitzky, and Karl Muck. In recent years his music has been largely neglected ...