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This design allows sixteen different combinations of brightness to be obtained. The result is that one lamp can provide a very soft, diffuse glow or quickly adjusted to illuminate an entire room, and everything in between. Popular in the 1920s and 1930s, mogul lamps can be obtained in thrift or antique stores and can still be purchased new.
The lamps were created by Salvador Dalí for the British Surrealist collector Edward James in the late 1930s. [1] James, a friend and patron of Dalí's from the early 1930s, was the owner of Monkton House, in West Sussex, England, which he had inherited from his father Willie James as part of the wider West Dean estate.
In the early 1930s, aluminum became a popular industrial design material, and McArthur developed a specialization in designing and making aluminum tubular furniture, including chairs, tables, sofas, lamps, and ashtrays. McArthur soon began to receive commissions from prominent architects.
A Tiffany lamp is a type of lamp made of glass and shade designed by Louis Comfort Tiffany or artisans, mostly women, and made (in originals) in his design studio. The glass in the lampshades is put together with the copper-foil technique instead of leaded, the classic technique for stained-glass windows.
Low lighting was sometimes included in the lamp design with small nightlight bulbs. TV lamps, based upon popular chalkware radio lamp designs, quickly became replaced by ceramic. An attempt to thwart competitors from copying their highly successful male/female paired chalkware lamps and statuettes was taken all the way to the U.S. Supreme Court ...
The failure of the lamps to gain popularity may be due to the manufacturer, Copenhagen Lighting Service, removing some components of the lamp because they caused the light to glare. [13] This was an issue that Poul Henningsen would later solve and the glare-free design feature would become a signature characteristic of his work.
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