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Metropolitan is a 1990 American romantic comedy-drama film produced, written and directed by Whit Stillman, in his feature directorial debut.The film concerns the lives of a group of wealthy young socialites during debutante season in Manhattan.
In the history of motion pictures in the United States, many films have been set in New York City, or a fictionalized version thereof. The following is a list of films and documentaries set in New York, however the list includes a number of films which only have a tenuous connection to the city. The list is sorted by the year the film was released.
Slaves of New York was shot on location in New York City, in the Lower East Side, a downtown gallery and a club. Shooting started on April 4, 1988, with a 10-week shooting schedule. There was a "modest" budget—$5 million—that meant there were no lengthy rehearsals. There was one read-through before shooting began.
King of New York, 1990; Paris Is Burning, 1990; Reversal of Fortune, 1990 (City College of New York in Harlem, was used to depict Harvard University.) Strictly Business, 1991; A Rage in Harlem, 1991; New Jack City, 1991; Jungle Fever, 1991; Juice, 1992; Who's the Man?, 1993; Sugar Hill, 1994; Above the Rim, 1994; A Great Day in Harlem, 1994
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The kameez is usually cut straight and flat; older kameez use traditional cuts; modern kameez are more likely to have European-inspired set-in sleeves. The combination garment is sometimes called salwar kurta, salwar suit, or Punjabi suit. [33] [34] The shalwar-kameez is a widely-worn, [35] [36] and national dress, [37] of Pakistan.
Shalwar kameez [2] [3] (also salwar kameez [4] and less commonly shalwar qameez) [5] [6] is a traditional combination dress worn by men and women in South Asia, [4] [7] and Central Asia. [ 8 ] [ 9 ] Shalwars are trousers which are atypically wide at the waist and narrow to a cuffed bottom.
Avalon is a 1990 American drama film written and directed by Barry Levinson and starring Armin Mueller-Stahl, Elizabeth Perkins, Joan Plowright and Aidan Quinn.It is the third in Levinson's semi-autobiographical tetralogy of "Baltimore films" set in his hometown during the 1940s, 1950s, and 1960s: Diner (1982), Tin Men (1987), and Liberty Heights (1999). [3]
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