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"You Really Got Me" was released as the band's third single on 4 August 1964, backed with "It's All Right" (also spelled "It's Alright"). [29] Within three days of the single's release, "You Really Got Me" began to appear on local charts. Eventually, the song climbed to the top of the British charts, the band's first single to do so. [29]
"You've Really Got a Hold on Me" is a song written by Smokey Robinson, which became a 1962 Top 10 hit single for the Miracles. One of the Miracles' most covered tunes, this million-selling song received a 1998 Grammy Hall of Fame Award. It has also been selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
So it didn't necessarily reflect me". [6] In 2014, Elfman stated that he "just basically make(s) fun of everybody", and that he "didn't see anybody as being protected". He elaborated: "To me, all organized political groups have a sense of absurdity to them. It's open to be mocked or satirized.
The album also included a cover of The Kinks' "You Really Got Me". [3] On May 30, 1992, Wright was involved in a motorcycle accident in Dallas, Texas, while trying to assist a driver who had crashed his pickup truck on the median of the LBJ Freeway. [4] The accident placed Wright in a coma for five months. [5]
In addition to the ten original songs, the album features two cover songs: "You Really Got a Hold on Me" (composed by Smokey Robinson) and "I Should Have Known Better" (composed by John Lennon and Paul McCartney). They took a break after that, as Ward was on tour and Deschanel was filming a movie. Volume One was released on March 18, 2008.
"You really got me." He came prepared when he reunited with the hosts on Tuesday, making sure to poke fun at the teary-eyed moment right out of the gate. “Don’t start with me!” He joked as ...
An adult daughter revealed she was the only member of her immediate family not invited on a group trip — and now she’s wondering if she’s “overreacting” for feeling hurt.
Like their previous hit "You Really Got Me", the song is based on a power chord riff. Both songs are similar in beat and structure, with similar background vocals, progressions, and guitar solos . Dave Davies claimed that the song was where he "found his voice":