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69/96 is the second studio album by Japanese musician Cornelius. It was released on November 1, 1995 by Trattoria Records. [3] The album peaked at number three on the Oricon Albums Chart. [4] A remix album titled 96/69 was released the following year.
At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Sensuous received an average score of 70 based on 18 reviews, indicating "Generally favorable reviews". [8] Heather Phares of AllMusic called Sensuous "the finest expression of Cornelius' inimitable, playfully sophisticated musical language yet."
13 holds an overall approval rating of 79 out of 100 on online review aggregator Metacritic based on 17 reviews, indicating "generally favorable reviews". [21] Tom Doyle of Q called 13 "a dense, fascinating, idiosyncratic and accomplished art rock album", [ 2 ] while an enthusiastic Brent DiCrescenzo of Pitchfork stated that "Blur have finally ...
The Complete Review said that it comprised "an arc of Jerry Cornelius-adventures, from the (fairly) straightforward action-adventure of the first, The Final Programme, to the metaphysical summa of The Condition of Muzak". It observes that "Cornelius is a superhero, but a flawed one. He is indestructible and yet has weaknesses.
Fiona Sturges of The Independent found that Cornelius had "honed his cut-and-paste sensibilities into something more coherent and utterly beautiful." [ 22 ] Nick Southall of Stylus Magazine said, "More rounded and less determinedly schizo than Fantasma , Point is a great album of delicious odd-pop made by a whimsically modest genius."
The holiday season is incomplete for many people without holiday movies. This year, Netflix is streaming a wide range of Christmas classics and original movies.
Based on the real-life 1971 disappearance of Brazilian Congressman Rubens Paiva, the movie, directed by Walter Salles, is a profile of one family's resolve.
The tracks on Fantasma were written and recorded in the same order they appear on the album, and were produced on magnetic digital reel tape recorders. [5] Cornelius's goal in creating Fantasma was "to take the listener on a personal trip"; he envisioned the album as "a one-on-one experience between the music and the listener. ...