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Voice-tracking, also called cyber jocking and referred to sometimes colloquially as a robojock, is a technique employed by some radio stations in radio broadcasting to produce the illusion of a live disc jockey or announcer sitting in the radio studios of the station when one is not actually present.
Nelson recorded both songs with the existing equipment in a studio of the radio station. [1] During his time working on the radio in Texas, Nelson met disc jockey T. Texas Tyler. He called Tyler to ask for his help to press the records. Tyler called his acquaintance Don Pierce, who worked in Pappy Daily's Starday Records. [3]
The output from a DJ mixer is typically plugged into a sound reinforcement system or a PA system at a dance, rave, nightclub or similar venue or event. The sound reinforcement system consists of power amplifiers which amplify the signal to the level that can drive speaker enclosures, which since the 1980s typically include both full-range speakers and subwoofers for the deep bass sounds.
Jim Ladd spun vinyl and interviewed rock stars on L.A. stations KLOS and KMET during the heyday of free-form FM radio, and was immortalized on Tom Petty's 'The Last DJ.'
Club DJ Robert Hood Club DJ Ellen Allien at MAGMA festival 2006, in Tenerife, Spain DJ workplace in a nightclub, consisting of three CDJs (top), three turntables for vinyl records and a DJ mixer. A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience.
In 1993, the first internet "radio station", Internet Talk Radio, was developed by Carl Malamud. [21] Because the audio was relayed over the internet, it was possible to access internet radio stations from anywhere in the world. This made it a popular service for both amateur and professional disc jockeys operating from a personal computer. [20]
Free-form, or free-form radio, is a radio station programming format in which the disc jockey is given wide or total control over what music to play, regardless of music genre or commercial interests. Freeform radio stands in contrast to most commercial radio stations, in which DJs have little or no influence over programming structure or ...
He left Boston on October 31, 1969, and became the afternoon drive DJ for Top 40 station WFIL in Philadelphia. In June 1971, he moved to late nights at WLS in Chicago , and then to mid-days. In 1975, Jeffrey and his business partner, Bob Fuller, [ 1 ] also a former Maine disc jockey, purchased their first radio station, WBLM , an FM album rock ...
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